DEPECHE
MODE

Originally
a product of Britain's new romantic movement, Depeche Mode
went on to become the quintessential electro-pop band of the
1980s. One of the first acts to establish a musical identity
based completely around the use of synthesizers, they began
their existence as a bouncy dance-pop outfit but gradually
developed a darker, more dramatic sound that ultimately positioned
them as one of the most successful alternative bands of their
era.
The roots of Depeche Mode date to 1976, when Basildon, England-based
keyboardists Vince Clarke and Andrew Fletcher first teamed
to form the group No Romance in China. The band proved short-lived,
and by 1979 Clarke had formed French Look, another duo featuring
guitarist/keyboardist Martin Gore; Fletcher soon signed on,
and the group rechristened itself Composition of Sound. Initially,
Clarke handled vocal chores, but in 1980 singer David Gahan
was brought in to complete the lineup. After one final name
change to Depeche Mode, the quartet members jettisoned all
instruments excluding their synthesizers, honing a slick, techno-based
sound to showcase Clarke's catchy melodies.
After building a following on the London club scene, Depeche
Mode debuted in 1980 with "Photographic," a track
included on the Some Bizzare Album label compilation. After
signing to Mute Records, they issued "Dreaming of Me" in
early 1981; while neither the single nor its follow-up, "New
Life," caused much of a stir, their third effort, "Just
Can't Get Enough," became a Top Ten U.K. hit, and their
1981 debut LP, Speak and Spell, was also a success. Just as
Depeche Mode appeared poised for a major commercial breakthrough,
however, principal songwriter Clarke abruptly exited to form
Yazoo with singer Alison Moyet, leaving the group's future
in grave doubt.
As Gore grabbed the band's songwriting reins, the remaining
trio recruited keyboardist Alan Wilder to fill the technological
void created by Clarke's departure. While 1982's A Broken Frame
deviated only slightly from Depeche Mode's earlier work, Gore's
ominous songs grew more assured and sophisticated by the time
of 1983's Construction Time Again. Some Great Reward, issued
the following year, was their artistic and commercial breakthrough,
as Gore's dark, kinky preoccupations with spiritual doubt ("Blasphemous
Rumours") and psychosexual manipulation ("Master
and Servant") came to the fore; the egalitarian single "People
Are People" was a major hit on both sides of the Atlantic
and typified the music's turn toward more industrial textures.
Released in 1986, the atmospheric Black Celebration continued
the trend toward grim melancholy and further established the
group as a major commercial force. After the superb single "Strangelove," Depeche
Mode issued 1987's Music for the Masses; a subsequent sold-out
tour yielded the 1989 double live set 101 as well as a concert
film directed by the legendary D.A. Pennebaker. Still, despite
an enormous fan base, the group was considered very much an
underground cult phenomenon prior to the release of 1990's
Violator, a Top Ten smash that spawned the hits "Enjoy
the Silence," "Policy of Truth," and "Personal
Jesus."
With the alternative music boom of the early '90s, Depeche
Mode emerged as one of the world's most successful acts, and
their 1993 LP Songs of Faith and Devotion entered the charts
in the number one slot. However, at the peak of its success,
the group began to unravel; first Wilder exited in 1995, and
then Gahan was the subject of a failed suicide attempt. (He
later entered a drug rehabilitation clinic to battle an addiction
to heroin.) After a four-year layoff, Depeche Mode continued
onward as a trio and released 1997's Ultra, which featured
the hits "Barrel of a Gun" and "It's No Good." A
year later, the band embarked on a tour in support of its newly
released hits album, The Singles 86>98. Depeche Mode played
64 shows in 18 countries for over one million fans. Each member
took some considerable time off after the tour's completion,
and Depeche Mode would not regroup for another three years.
Exciter, the band's follow-up to Ultra, was released in 2001,
with the singles "Dream On" and "I Feel Loved" finding
moderate success on international radio outlets. Two years
later, Gahan issued his debut solo album, the dark and sultry
Paper Monsters. Gore also followed suit by issuing the all-covers
Counterfeit, a full-length sequel to his similarly themed 1989
EP. Each member supported his work with respective tours of
the U.S. and Europe; however, the bandmembers soon resumed
working together, and Playing the Angel, their 11th studio
album, became a Top Ten hit upon its release in October 2005.
Produced by Ben Hillier (Doves, Blur, U2, Elbow) and studded
with singles like "Precious" and "John (The
Revelator)," it topped the album charts in 18 countries
and went multi-platinum and/or gold in 20 countries. Depeche
Mode went on to play for more than two and a half million fans
worldwide, and the DVD release Touring the Angel: Live in Milan
(2006) captured one of the band's greatest shows. Sounds of
the Universe, also made with the assistance of Hillier, arrived
in early 2009.
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