FERGIE (UK)

Fergie
(aka Robert Ferguson), a DJ of international standing for the past
decade, has never had a stronger and more vibrant aural identity.
Playing the kind of music he wants, determined not to be held back
by perceptions and tags from the past, he continues to be a global
representative for electronic music by consistently breaking down
underground barriers and bringing new music to the people, without
compromise.
There is no doubt that Fergie has firmly re-established himself
as a producer of innovative exciting music that really takes a
hold of you. Having dedicated himself to the studio for the past
few years, where he totally immersed himself in his passion for
music, this has been a true labour of love for Fergie:
”I just wanted to go back and take time to rediscover what the
music meant to me; how it made me feel, the buzz, the excitement.
To find a sound that would reflect my individuality as a DJ and
producer and in some way to recapture all of that in my productions”
(Fergie).
Clearly he has found his sound and the results are very evident
in the free flow of original productions and remixes being consistently
supported by the likes of Sasha, Digweed, Dubfire, Laurent Garnier,
Miss Kitten and Slam. His ever growing ‘Excentric Muzik’ label
has been hailed by Carl Cox as his “label of 2008”, with Cox going
on to license several productions for his forthcoming Space compilation
this summer. Underground cuts such as ‘Anon’, ‘To The Core’ and
‘Blackeye-P’ have helped to instill Fergie and Excentric at the
forefront of serious peak time electronica. Excentric off-shoot
label ‘Rekluse’ (launched at the tail end of last year) has got
off to a storming start with first release ‘2nd To None’ by Umek
refusing to leave the Beatport techno charts almost half a year
after it’s release, peaking at the number 1 spot along the way.
A steady stream of new material and remixes on many other labels
of distinction have proven the Fergie sound to be one that is in
much demand. ‘Ireland’ and the remix of Namito ‘City Of Gods’ (on
Great Stuff), the remix of King Unique’s ‘Hinode’ (which went down
so well they asked him back to rework one of their biggest ever
tracks, ‘Dirty’) and not forgetting the all conquering remix of
Umek’s ‘Gatex’, these have all firmly established Fergie as a proven
seal of production quality for many.
A collaboration project with electronic compatriots Reset Robot & Alan
Fitzpatrick is an outlet for a deeper, darker, more twisted side
to Fergie, with the recent ‘Gas Mask’ / ‘Rattlesnake’ gaining momentum
from DJ Hell, Luciano, Adam Beyer and Ivan Smagghe amongst others.
Then there’s James Lavelle, who has consistently supported Fergie’s
work and drafted him in to his remix his renowned Unkle Project
with devastating results. By the end of 2009 this will have been
joined by remixes of Slam’s seminal classic ‘Positive Education’
(Soma), Smith & Selway ‘Work it’ (Tronic), Yousef ‘Letter to
No One’ (Circus Recordings) as well as Reset Robot ‘Softie’ on
Excentric.
2009 will also see Fergie playing clubs Shine, The Stiff Kitten
(Belfast), Pressure, Sub Club (Glasgow), Circus (Liverpool), Firefly
(Nottingham), MOS (London), Shindig (Newcastle), The Tripod (Dublin),
Meganite (Ibiza), Exit (Lithuania) and the Sonar festival (Barcelona),
as well as international tours of France, Austria, Germany, Bulgaria,
Italy, Brazil and Canada.
It all started in Northern Ireland where Robert Ferguson, as his
passport dubs him, grew up. His first day of secondary school would
see him donning a walkman instead of putting up with his teacher’s
voice, and for the next three years he would spend more time outside
the headmaster’s office than in the classroom. At the age of 13
he finally left the school system and embarked on the passion that
had engulfed him, embracing music headlong and becoming a DJ. This
was to become a mercurial move that would lead to international
DJ status and a coveted show on Radio 1.
Growing up as part of the Northern Irish rave scene and being a
witness to events such as the iconic Hellraiser raves at the Ulster
Hall in Belfast, where he got his first taste of international
DJs such as Carl Cox and Pablo Gargano, confirmed the direction
in which his music was to go. “It was the harder edge of the music
that really caught me, just the full on driving energy of it made
the hairs on the back of my neck stand on edge.” (Fergie)
Tony De Vit later took Fergie under his wing, starting him on a
journey that eventually led to his own slot on Radio 1 where he
championed the sounds of the underground on mainstream radio, long
before minimal techno became the “du jour” genre for DJs. At only
21 he found himself presenting live shows from Skol Beats (Brazil),
Love Parade (Berlin), Meganite (Ibiza), the Miami Winter Music
Conference and not one to forget where he came from he brought
his very first live Radio 1 show back to Northern Ireland.
The show ran for 5 years and developed into a snapshot of what
was going on in the underground electronic music scene. Guests
included Richie Hawtin, Sven Vath, Dave Clarke and Phil Kieran
(who both covered the show in Fergie's absence), Carl Cox and Jeff
Mills, as well as providing a platform for many aspiring producers
and DJs to show what they had to offer... the likes of Kev Gorman
(Gigolo), Anderson Noise (Noise Music), Matt Tolfrey (Leftroom)
and Dave Robertson (aka Reset Robot) all received some of their
prominent initial exposure through Fergie’s show.
His drive and support for new talent has long since continued,
the ‘Excentric Artists’ agency operates as a platform and a launch
pad for the next generation of unconventional aspiring DJs and
producers, with the roster currently consisting of Mr Henry Von,
Psycatron, Erphun, Jus' Phil, Jordan McCuaig and Hans Bouffmyhre.
With the ascent of his Excentric project, making a real impact
in clubland on three different levels; releasing cutting edge music,
putting on events and pushing new talent, Fergie is investing and
developing in the future of electronic music and making sure he
has a say in it.
A proven forward thinker, constantly developing and never standing
still, the architect of an ever evolving sound by keeping one step
ahead of the rest, he has never forgotten though that it's still
just a rave. A place where people are trying to escape the realities
of urban life each and every weekend, and is where he hopes to
catch up with you very soon.