REDNEX

Rednex
is one of very few artists that has lasted on the charts for 15
years and sold more than 10 million records thanks to a dozen Top
10 hits. The project was created by fluke in 1992 and literally
exploded into fame in 1994 just days after its first release –
“Cotton Eye Joe”. It became a massive hit, went to No.1 at record
speed in 15 countries and is today a party classic which has sent
the band repeatedly touring the world.
The follow-up releases also achieved significant success, including
4 other million-selling releases, and led to Rednex, for example,
spending more weeks (25) at top of the German singles chart than
any other act of the last 30 years,thanks to hits such as “Wish
You Were Here” and “Spirit Of The Hawk”.
Being alone in their own unique and homemade genre has also made
them popular in other media as they have been featured with various
songs in 3 major Hollywood-productions and 3 high-profile nationwide
TV-commercials, all within in the last 6 years.
In 2010 their 4th album, “Saturday Night Beaver”, is to be released.
The first single from the album, “Devil's On The Loose”, will once
again propel Rednex into major controversy due to its highly unlikely
promotional strategy and underline Rednex's roll as the ugly duckling
and black sheep of the music industry. Rednex have always been
frowned upon by the artist community and music media for its unconventional
methods and appearances, but the alienation felt at being on the
fringes of the music business seems to be something that attracts
its members.
The band members today are female singer Scarlet (from UK) and
the boys Dagger & Ace Ratclaw (from Sweden), and Joe Cagg (from
Netherlands). Since 1994 15 performers featured in the group. By
2001 the band already consisted entirely of members who were not
in the original line-up. The awkward set-up of Rednex allows for
people to come and go as they please and so several of the performers
have done just that. All of the performers in the band today are
on their second round.
Rednex is highly different to other bands, mostly because it's
not even a band - it is more like a project, a concept, a spirit
or an attitude, or perhaps it is best described as a clan circled
around an idea. Rednex consists of a loosely knit group of creative
people – music producers, songwriters, stage performers, video
artists, graphic designers, web programmers, marketeers etc.
They all create within the boundaries of a specified concept, the
attributes of which consists, for example, the wild west, spirit
of freedom, playfulness, carelessness of order and cleaning, positivity,
adventure, high energy, party, provocation, high acceptance of
variety, joy, as well as a lack of conflicting parts - snobbism,
restrictions, trend-following, hip-factoring, pretentiousness,
exclusivity, neatness etc.
This unique blend of traits is then put into a musical blend that
is less easy to categorise – bluegrass, country, folk, techno,
europop, alt. rock ...? On top of this it is being performed in
a show unlike any other. What largely differentiates Rednex shows
from others is their uncompromising level of energy - the party
never stops! The amount of positive chaos is incomparable to anything
else, taking performing to new levels that often stun the audience.
It is not a rare occasion that a band member will pass out in the
middle of the show.
All of this is the backbone of what is being created within Rednex.
Since the Rednex expression originates from a concept that shapes
the people within it - as opposed to almost all other artists,
where the people shape the concept - it sharply differs itself
from the generic pop product and as such receives much criticism,
as other artists and media are constantly sceptical towards the
genuineness and sincerity in this hobby-project.Though in Rednex,
no person is or will ever be especially important, or at least
not in a way that the existence of the project will be dependent
upon them.
Rednex was created in Stockholm in 1992 by three Swedish music
producers – Jan Ericsson, Örjan Öberg and Pat Reiniz. They still
own the trademark through the company Rednex AB. Today, Jan Ericsson
has, after a 12 year long songwriting break from Rednex, supplied
several tracks for the upcoming album including the hit single
“Devil's On The Loose”.
Örjan Öberg has not been active in Rednex since 2001 and Pat Reiniz
(a.k.a. Ranis), who also used to manage the project back in the
day, is no longer active as a writer or producer as of 2003, but
is still loosely involved in some of the administrative tasks.
Neither of them spend much of their lives mingling in the music
industry but instead focus on other activities.
However, the lack of centralised persons,undefined boundaries and
timelessness of this playhouse is one of the two secret ingredients
to its long-term success. Rednex is immortal, as immortal as the
idea of music itself and it will always live on even when the people
who originally started it are no longer active. Several of the
people involved today hadn't even graduated junior high when Rednex
was created.
The other secret ingredient to success is Rednex's ability to be
a complete counterpoint to everything that the music business usually
stands for – the glamour, celebrity status, glitter and gold, trend
fascination, exclusivity etc. Almost no artist has the courage
to perform ugly, dirty and drunk by intention, but for Rednex this
is not an intention, we just don't give a shit and everyone is
welcome to join us in doing so. We are too busy partying to bother.
The eventful and odds-defying history of Rednex is a story of great
wonder, success and awards but also of turbulent conflicts, controversy
and arrests. From the beginning the owners and producers of Rednex
wrote a bogus biography that fooled the media into thinking the
band was an inbred farmer family from Idaho, instead of the Swedish
suburbanarians they actually were. It took 6 months before this
was revealed.
In 2007, Rednex created controversy by becoming the first pop band
to ever try selling itself at auction. The sale price of $1,500,000
on eBay was highlighted, laughed at, and frowned upon all over
the world. No deal was ever concluded, though at popbandforsale.com
the whole project is still for sale. Due to the expected success
coming out of the latest album release the owners have now raised
the price to $2,900,000.
During 2007 and 2008 the former performer Mary Joe (Annika Ljungberg)
asserted a power of attorney in order to lead Rednex, but was fired
immediately after the expiry of the contract due to contractual
fraud. In the process she dishonoured the Rednex concept to her
own benefit and made enemies with most people inside the group.
However, this did not stop her, as she went on performing and selling
her show illegally as Rednex for several months and even now is
still occasionally found to be doing this in Norway. This conflict
will reach its conclusion in court.
Needless to say, the piled up amount of controversy and original
ways of performing, making music and dealing with things has made
the relationship between Rednex and the music industry, the media
and the conventional artist community somewhat tense.
Rednex defies and despises conventions. Rednex provokes and differs
by intention. It is a lifestyle that is almost strategic and it
has a strong purpose – because this is how one stays challenged
and by doing so keeps growing and expanding. Many people relate
this attitude to something destructive and desperate but Rednex
have shown that it can be done with a smile and togetherness. There
lives a little Rednex in all of you and it probably deserves to
be given a lot more room.